TEFAF Maastricht 2026
Colnaghi Elliott Master Drawings is pleased to announce their participation in TEFAF Maastricht this March.
Among the highlights is Head of a Tahitian by Paul Gauguin, executed during the artist’s
first stay in Tahiti in 1891–1892. The drawing belongs to a phase of graphic production
undertaken before Gauguin embarked on major oil paintings and reflects his use of drawing as a primary investigative medium. Executed in coloured chalks and pastel, the sheet is closely related to imagery developed in Gauguin’s painting Te Nave Nave Fenua and to profile heads preserved in the Cahier pour Aline, hisillustrated scrapbook dedicated to his daughter. The recurrence of this motif across multiple works confirms its central role within Gauguin’s early Tahitian production.
Colnaghi Elliott Master Drawings is also presenting an important drawing by Bartolomé Esteban Murillo, datable to circa 1658–1659. Executed in pen and brown ink with wash and touches of red chalk, the sheet belongs to a mature phase of Murillo’s graphic practice and is closely related to an earlier drawing in the Colomer collection. It documents Murillo’s method of resolving compositional and structural problems through drawing and confirms the medium’s function as an independent site of invention within his later production, rather than as preparatory material for painting.
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PAUL GAUGUINHead of a Tahitian -
ADOLPH VON MENZELHead studies of a bearded man, 1880s -
FRANZ VON STUCKMary Stuck in traditional Münchner dress, ca. 1912 -
MAX VON CHÉZYPortrait of a woman holding roses
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JOSEPH-AUGUSTE BRUNIERPortrait of the artist’s daughter, Françoise Brunier -
VENETIAN SCHOOLStudy of a Moor -
SUZANNE FABRYStudy of a female head -
EMILE FABRYWoman with closed eyes
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EMILE FABRYHead study of a man -
BARTOLOME ESTEBAN MURILLOMadonna and Child, ca. 1658-1659 -
PIETER DE JODE IThe Parable of the Rich Man and Lazarus -
DOMENICO MORELLIStudy of a man in Oriental costume, 1885
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CHARLES THEVENINThe Farewell of Hector, c. 1800 -
GIOVANNI BAGLIONESaint Peter Resurrecting Tabita, c. 1604 -
HELENE SCHJERFBECKHead of a Man (Christ), 1898 -
REMBRANDT HARMENSZ. VAN RIJNSelf-Portrait in a Velvet Cap with Plume, 1638
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CHARLES-THÉODORE FRÈREThe Watering Hole at Sunset -
EDUARD FRANKFORTSelf-Portrait in Bedouin costume -
NICOLAAS STRUYCKButterflies and moths, ca. 1719 -
NICOLAAS STRUYCKA rose with garden whites, ca. 1715
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HERMANN EULERPortrait of Carletto Thieben, 1926 -
LEONOR FINIA couple in courtship -
RAYMOND LAFAGEHead of a woman -
VIRGINIE DEMONT-BRETONFisherwomen with a net, Study for graine de mer, ca. 1903
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PAUL THÉOPHILE ERNEST FRAILLIONBust-length portrait of a young man -
JACQUES MAJORELLEPortrait of a man from Kayes, wearing a Fulani fibre hat, 1945 -
JACQUES-LOUIS DAVIDStudy for the Portrait of the Countess Vilain XIIII, 1816 -
EMILIE LACHAUD DE LOQUEYSSIEPortrait of Mademoiselle Elisa Hintz, 1835
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LOTTE LASERSTEINTraute Rose writing -
GIOVANNI PAOLO PANINIAn imaginary view of the Forum Romanum with the restoration of the Temple of Castor and Pollux -
JEAN-BAPTISTE PAULIN GUÉRINPortrait of Marie-Thérese-Baptistine Hains, at her tambour frame, 1810 -
JEAN-BAPTISTE ISABEYPortrait of an Arlesian, 1837
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FRANCISCO DE GOYA Y LUCIENTESMujer Echada -
FRANCISCO DE GOYA Y LUCIENTESPobre Trabajador (r.) / La Celestina (v.) -
ZÉLIE-JULIE D'LEINDREA vase of flowers on a marble table, 1819 -
JACOB JORDAENSA rostrum of musicians in a loggia, ca. 1635


